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张叔言——国际聚焦书画名家、两会之声

来源:环球文化网  http://www.hqwhw.com     编辑:Emily 2018/12/12

      聆听时代强音,坚定文化自信。

      文化是一个国家,一个民族的灵魂。中国特色社会主义进入新时代,人民有信仰,国家有力量,民族则有希望。值此两会召开之际,著名书画艺术家代表纷纷献礼献策,为实现中华民族的伟大复兴贡献力量。

      Listen to the strong voice of the times and strengthen cultural self-confidence.

      Culture is the soul of a country and a nation. Socialism with Chinese characteristics has entered a new era. The people have faith, the country has strength, and the nation has hope. On the occasion of the two sessions, representatives of famous painting and calligraphy artists have offered gifts and suggestions to contribute to the great rejuvenation of the Chinese nation..

1作品

      张叔言,1949年出生,湖南人,南京大学中文系、解放军政治学院、美国加州大学毕业,博士学位。中华出版促进会副秘书长、《书香两岸》杂志社总编、中华人民共和国文化部一级美术师(书法)、大龙树(厦门)文化传媒有限公司总经理。曾获得出版韬奋奖和新中国成立六十周年百名优秀出版人奖。

      Zhang Shuyan, born in Hunan in 1949, graduated from the Chinese Department of Nanjing University, the Political College of the People's Liberation Army and the University of California, USA, with a PhD. Deputy Secretary-General of China Publishing Promotion Association, Editor-in-Chief of Shuxiang Cross-Straits Magazine, First-Class Artist (Calligraphy) of the Ministry of Culture of the People's Republic of China, General Manager of Dalongshu (Xiamen) Cultural Media Co., Ltd. He has won the Publishing Taofen Award and the Hundred Excellent Publishers Award for the 60th anniversary of the founding of New China.

2作品

      提到张叔言 ,许多人都知道他是出版人,曾获得出版韬奋奖和新中国成立六十周年百名优秀出版人奖,但没有人知道他书法造诣。的确,张叔言退休前没操刀过书法,退休后,心想没事干该怎么办,这才想起学书法。然而,不到8年,张叔言的书法却稍有名气,曾代表国家赠书法给斯里兰卡总统、议长,韩国领导人、台湾地区领导人及俄罗斯、蒙古、塔吉克斯坦大使馆、孔子学院、华商总会、交流机构等,并被斯里兰卡佛学院、韬奋纪念馆、佛光山收藏,他还为许多名胜古迹、大型企事业单位、著名商标品牌题写牌匾。去年纪念中国共产党成立95周年,全国集邮总公司为张叔言出版了一套书法邮票纪念册,文联出版社将张叔言的书法作品收集在《人民喜爱的书法家》、《当代中国书法经典百年》、《中华书画传承人物》中,红旗出版社将张叔言的书法作品收集在《中国书法40年》书法集中,为纪念欧阳中石诞生94周年,华夏儒商受文化部指意还让张叔言与欧阳中石于今年出版了一本《艺壇领袖传世佳作》的台历。冰冻三尺非一日之寒,张叔言书法进步快,自然有他的道理。

      Referring to Zhang Shuyan, many people know that he is a publisher. He has won the Publishing Taofen Award and the Hundred Excellent Publishers Award for the 60th anniversary of the founding of New China, but no one knows his calligraphy accomplishments. Indeed, Zhang Shuyan did not use a knife before he retired. After he retired, he thought about what to do when he had nothing to do. This reminded him of learning calligraphy. However, in less than eight years, Zhang Shuyan's calligraphy was slightly well-known. On behalf of the country, he presented calligraphy to Sri Lanka's President and Speaker of Parliament, Korean leaders, Taiwanese leaders and Russian, Mongolian, Tajikistan Embassies, Confucius Institutes, Chinese Chamber of Commerce and Exchange Institutions. He was also given calligraphy by Sri Lanka Buddhist Academy and Taofen Memorial Hall. Foguangshan Collection. He also inscribes plaques for many places of interest, large enterprises and institutions, and famous trademark brands. Last year, in commemoration of the 95th anniversary of the founding of the Communist Party of China, the National Philatelic Corporation published a set of commemorative booklets of calligraphy stamps for Zhang Shuyan. Wenlian Publishing House collected Zhang Shuyan's calligraphy works in "The People's Favorite Calligrapher", "A Century of Contemporary Chinese Calligraphy Classics" and "The Heritage Persons of Chinese Calligraphy and Painting". The Red Flag Publishing House Yan's calligraphy works are collected in the collection of 40 Years of Chinese Calligraphy. In order to commemorate the 94th anniversary of Ouyang Zhongshi's birth, Confucian businessmen in China, on the instructions of the Ministry of Culture, also let Zhang Shuyan and Ouyang Zhongshi publish a calendar of "The Great Works of Art Leaders Inheritance" this year. Frozen three feet is not a day's cold, Zhang Shuyan's calligraphy has made rapid progress, naturally has his reason。

3作品

从小用毛笔写字

      熟悉张叔言的人都知道,他是用毛笔写字的。张叔言从小学直到退休都坚持用毛笔写字,写日记、写文章甚至连开会记录有时都用毛笔,不过那只是写毛笔字而已,谈不上书法。但无心插柳柳成荫,这种书写方法对毛笔的把握、书法的感觉很有帮助,特别对草书的流利性要求更是打下了一个基础。

      退休后,张叔言在与中国当代著名书画大家杨向阳的接触中感受到了书法的巨大魅力。“他的书法造诣和理论高度都让我十分钦佩,独创了融隶书风骨、魏碑气势、篆书神韵于一体的‘三体书’及草篆、行隶等近百种书体。当时我就临摹他的隶、楷、行书,受他的影响很深。”

      从此,张叔言开始临摹历代书法名家的字帖,沉浸其中,忘乎所以,甚至不吃不喝8个小时,从晚上一直写到凌晨3点都丝毫不疲惫。

Write with a brush since childhood

      Anyone familiar with Zhang Shuyan knows that he writes with a brush. From elementary school to retirement, Zhang Shuyan insisted on writing with a brush. He wrote diaries, articles and even minutes of meetings sometimes with a brush, but that was just brush writing, not calligraphy. But carelessly insert willows and willows into the shade, this writing method is very helpful to grasp the brush and the feeling of calligraphy, especially for the fluency requirement of cursive script laid a foundation.

      After retirement, Zhang Shuyan felt the great charm of calligraphy in his contacts with Yang Xiangyang, a famous contemporary Chinese painter and calligrapher. "His calligraphic attainments and theoretical height make me admire him very much. He has created nearly one hundred styles of calligraphy, including Li style, Wei stele momentum and seal script charm, as well as grass seal script and Xingli script. At that time, I copied his official scripts, regular scripts and running scripts, which were deeply influenced by him.

      From then on, Zhang Shuyan began to copy the letters of famous calligraphers in successive dynasties, immersed in them, forgotten, even did not eat or drink for eight hours, from evening until 3 a.m. were not tired at all.

4作品

挥毫落纸是人生

      “毛泽东的字、岳飞的书法自有其过人的气魄,而王羲之的字则透着文人雅士的精制笔法。”张叔言认为,历代书法名家多出自王侯将相、文史学家,这并非偶然或是虚名,书法境界高低是来自人生的经历和感悟。真正的书法家并非只会写字的匠人,他们需要有深厚国学底蕴和自我修养。

      也许这便是所谓的“字如其人”。一个人写的字透着他走过路、读过的书和爱过的人。因为工作环境的特殊,张叔言参军十八载,在出版界三十余年,办过报纸,做过杂志,出版过图书,也做过书商,懂经营,好收藏,可谓经历颇丰,其书法也自成一格,这也是为什么他的字受到不少品牌企业的钟爱。

      “书法的世界,越钻研就越感到自己的无知,越有学习的热情。”张叔言平时有很多的机会接触书法艺术书籍、名胜古迹、书法展览,他十分珍惜这些机会,每到一地,他都要找机会去书店,特别是古旧书店、旧货市场淘宝,去名胜古迹受熏陶,从中吸取书法艺术的精髓。此外,张叔言还非常爱好文学、历史、哲学、汉语言文,他认为,这些是书法艺术的灵魂,是书法艺术赖以升华的基础。

Wrapping a piece of paper is life

      "Mao Zedong's characters and Yue Fei's calligraphy have their own extraordinary courage, while Wang Xizhi's characters are reflected in the refined brushwork of literati and refined scholars." Zhang Shuyan believed that most of the famous calligraphers in the past dynasties came from generals and historians, which was not accidental or nominal. The level of the realm of calligraphy came from the experience and perception of life. Real calligraphers are not only craftsmen who can write, they need to have a deep knowledge of Chinese traditional culture and self-cultivation.

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